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	<title>IRIDAS Magazine &#187; Spotlight</title>
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	<link>http://www.iridasmagazine.com</link>
	<description>Your IRIDAS News Source</description>
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		<title>SpeedGrade NX Powers Animation Pipeline for Zambezia 3D</title>
		<link>http://www.iridasmagazine.com/2011/07/19/2011zambezia/</link>
		<comments>http://www.iridasmagazine.com/2011/07/19/2011zambezia/#comments</comments>
		<pubDate>Tue, 19 Jul 2011 13:31:20 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
				<category><![CDATA[All]]></category>
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		<category><![CDATA[3D]]></category>
		<category><![CDATA[DualStream]]></category>
		<category><![CDATA[SpeedGrade]]></category>
		<category><![CDATA[Speedgrade OnSet]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1664</guid>
		<description><![CDATA[Triggerfish Animation Studios is a Cape Town based studio for long form animation. We sat down with the team to talk about their soon-to-be released movie, Zambezia, and the stereo 3D pipeline they developed to create this stunning, animated feature film.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/07/19/2011zambezia/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SpeedGrade Enables Post Workflow for OCEAN 3D</title>
		<link>http://www.iridasmagazine.com/2011/07/12/2011ocean3d/</link>
		<comments>http://www.iridasmagazine.com/2011/07/12/2011ocean3d/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 08:06:33 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<category><![CDATA[SpeedGrade DI]]></category>
		<category><![CDATA[SpeedGrade NX]]></category>
		<category><![CDATA[Stereo 3D]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1648</guid>
		<description><![CDATA[PINKAU was the first German company to gain international reputation for their 3D usage in the entertainment sector and is one of the few companies in Germany to provide specialised 3D underwater equipment. SpeedGrade was added to its post production suites in to grade and finish OCEAN 3D, an impressive underwater movie in stereoscopic 3D.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/07/12/2011ocean3d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Dancing in Stereo: PINA 3D by Wim Wenders</title>
		<link>http://www.iridasmagazine.com/2011/02/11/2011pina/</link>
		<comments>http://www.iridasmagazine.com/2011/02/11/2011pina/#comments</comments>
		<pubDate>Fri, 11 Feb 2011 15:40:46 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<category><![CDATA[Stereo 3D]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1580</guid>
		<description><![CDATA[PINA is legendary filmmaker Wim Wenders' tribute to Pina Bausch. Shot in 3D, this feature-length dance film portrays the exhilarating and inimitable art of this great German choreographer who died in the summer of 2009.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/02/11/2011pina/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Making of Narnia 3D</title>
		<link>http://www.iridasmagazine.com/2011/02/10/2011narnia/</link>
		<comments>http://www.iridasmagazine.com/2011/02/10/2011narnia/#comments</comments>
		<pubDate>Thu, 10 Feb 2011 09:30:20 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<category><![CDATA[3D]]></category>
		<category><![CDATA[DualStream]]></category>
		<category><![CDATA[FrameCycler]]></category>
		<category><![CDATA[FrameCycler DI]]></category>
		<category><![CDATA[Stereo 3D]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1571</guid>
		<description><![CDATA[IRIDAS interviews Michael Coldeway, president of TRIXTER, about their 2D to 3D conversion work on Narnia, the Voyage of the Dawn Trader, their production pipeline, and the challenges they faced.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/02/10/2011narnia/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Real Time Color, To Go &#8211; Tone Visuals and its SpeedGrade Color Workflow</title>
		<link>http://www.iridasmagazine.com/2011/02/01/2011tonevisuals/</link>
		<comments>http://www.iridasmagazine.com/2011/02/01/2011tonevisuals/#comments</comments>
		<pubDate>Tue, 01 Feb 2011 15:34:50 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
				<category><![CDATA[All]]></category>
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		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[SpeedGrade]]></category>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1557</guid>
		<description><![CDATA[Brian Buongiorno of Tone Visuals has a list of credits as impressive as his repertoire of skills. A colorist by passion, Brian decided to take these skills, and deliver an entirely new approach for color grading. And, make it portable]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/02/01/2011tonevisuals/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Jim Carbonetti talks Napoleon 3D</title>
		<link>http://www.iridasmagazine.com/2011/01/20/2011napoleon3d/</link>
		<comments>http://www.iridasmagazine.com/2011/01/20/2011napoleon3d/#comments</comments>
		<pubDate>Thu, 20 Jan 2011 13:46:41 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1547</guid>
		<description><![CDATA[Jim Carbonetti, stereoscopic supervisor and compositor for 3D Blast, Inc in Los Angeles, has earned a reputation in the industry as an expert in guiding studios, producers and directors in 3D stereoscopic production, taking them from concept through post pipelines and delivery. He has an impressive portfolio of stereoscopic projects under his belt, and was [...]]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2011/01/20/2011napoleon3d/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Stereo 3D at 260 kph: Mercedes Benz SLS AMG 3D</title>
		<link>http://www.iridasmagazine.com/2010/12/07/2010sls/</link>
		<comments>http://www.iridasmagazine.com/2010/12/07/2010sls/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 11:28:00 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<category><![CDATA[DualStream]]></category>
		<category><![CDATA[FrameCycler DI]]></category>
		<category><![CDATA[RAW]]></category>
		<category><![CDATA[Speedgrade OnSet]]></category>
		<category><![CDATA[Stereo 3D]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1520</guid>
		<description><![CDATA[IN© Word has produced the fastest 3D road car movie made so far. F1 driver David Coulthard drove Mercedes Benz SLS AMG on the Isle of Man TT Mountain Course at speeds of up to 260kph. Shot by DP Geoff Boyle.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2010/12/07/2010sls/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Wim Wenders: Flying in Stereo 3D</title>
		<link>http://www.iridasmagazine.com/2010/11/28/2010ilvolo/</link>
		<comments>http://www.iridasmagazine.com/2010/11/28/2010ilvolo/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 15:58:13 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1488</guid>
		<description><![CDATA[Wim Wenders' "Il Volo" (The Flight) tells the story of a group of immigrants who arrived on boats at the coast of Calabria. Read the behind the scenes story by Thomas Harbers, CEO at Greenpost.

]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2010/11/28/2010ilvolo/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Dolphins in Paradise</title>
		<link>http://www.iridasmagazine.com/2010/11/16/2010dolphins3d/</link>
		<comments>http://www.iridasmagazine.com/2010/11/16/2010dolphins3d/#comments</comments>
		<pubDate>Tue, 16 Nov 2010 10:51:27 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1454</guid>
		<description><![CDATA[IRIDAS Magazine interviews ParadiseFX' Joe Van Dalsem about their latest 3D stereo movie production - A Dophin's Tale 3D, starring Morgan Freeman. When we spoke with Joe, the team was at the precise half-way point in the production.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2010/11/16/2010dolphins3d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Creating Personality for Digital Film Cameras with SpeedGrade Workflows</title>
		<link>http://www.iridasmagazine.com/2010/07/29/2010jeromesabourin/</link>
		<comments>http://www.iridasmagazine.com/2010/07/29/2010jeromesabourin/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 10:28:05 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1367</guid>
		<description><![CDATA[Cinematographer Jérôme Sabourin,CSC, talks about how he uses SpeedGrade to create what he calls a Personality for digital cameras, an underlying look that he uses like a virtual film stock.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2010/07/29/2010jeromesabourin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>SpeedGrade DI at Streetdance 3D</title>
		<link>http://www.iridasmagazine.com/2010/06/09/streetdance3d-2/</link>
		<comments>http://www.iridasmagazine.com/2010/06/09/streetdance3d-2/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 12:23:20 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<category><![CDATA[Stereo 3D]]></category>

		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=1325</guid>
		<description><![CDATA[German postproduction house The Post Republic teamed up with Los Angeles-based ParadiseFX to realise the Vertigo Films feature Street Dance 3D. Both companies rely on SpeedGrade DI for 3D Stereo (3DS) quality control, 3DS rushes, 3DS adjustments and 3DS color grading.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2010/06/09/streetdance3d-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fully Automated: The MetaRender Pipeline for “Bunraku”</title>
		<link>http://www.iridasmagazine.com/2009/10/07/bunraku/</link>
		<comments>http://www.iridasmagazine.com/2009/10/07/bunraku/#comments</comments>
		<pubDate>Wed, 07 Oct 2009 07:44:31 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=975</guid>
		<description><![CDATA[For TV, web, commercials, and feature films, IRIDAS MetaRender has quickly become one of the most critical tools in Origami Digital’s VFX Pipeline. For the 1000 VFX shots on Guy Moshe’s Bunraku, Origami Digital channels the IRIDAS power combined with custom tools so the artists can do their job faster and more efficiently.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Happy Birthday &#8211; FrameCycler Turns 8</title>
		<link>http://www.iridasmagazine.com/2009/04/04/framecycler/</link>
		<comments>http://www.iridasmagazine.com/2009/04/04/framecycler/#comments</comments>
		<pubDate>Sat, 04 Apr 2009 07:00:04 +0000</pubDate>
		<dc:creator>Lin S. Kayser</dc:creator>
				<category><![CDATA[All]]></category>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=772</guid>
		<description><![CDATA[Today, 8 years ago, on April 4th 2001, we released the first commercial IRIDAS product: FrameCycler Studio Editon. It's smashing success started eight years of growth for IRIDAS. FrameCycler's playback technology, revolutionary in 2001, laid the technological foundation for today's IRIDAS products. FrameCycler was  a major milestone for VFX review, animation and quality control. Real time playback out of RAM meant no more transcoding into Quicktimes for VFX reviews.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Spotlight: Journey to the Center of the Earth</title>
		<link>http://www.iridasmagazine.com/2008/07/01/christopher-townsends-journey-to-the-center-of-the-earth/</link>
		<comments>http://www.iridasmagazine.com/2008/07/01/christopher-townsends-journey-to-the-center-of-the-earth/#comments</comments>
		<pubDate>Tue, 01 Jul 2008 22:00:44 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=127</guid>
		<description><![CDATA[Chris Townsend stepped out into the role of independent VFX supervisor joining former ILM colleague and Academy Award-winner Eric Brevig on Journey to the Center of the Earth, the first ever full-length stereoscopic motion picture shot in High Definition to be released in Digital 3D cinemas.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2008/07/01/christopher-townsends-journey-to-the-center-of-the-earth/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Spotlight: Price Pethel &#8211; Digital Pioneer Discovers Speedgrade</title>
		<link>http://www.iridasmagazine.com/2008/05/01/spotlight-price-pethel-digital-pioneer-discovers-speedgrade/</link>
		<comments>http://www.iridasmagazine.com/2008/05/01/spotlight-price-pethel-digital-pioneer-discovers-speedgrade/#comments</comments>
		<pubDate>Thu, 01 May 2008 13:15:51 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=161</guid>
		<description><![CDATA[In the last year alone, Price Pethel has gone from finishing the seminal stereo documentary, U2 3D, to the complex work of restoring an Academy Award winning documentary for the Disney archives. After a long and storied career in the industry, Price Pethel shows no sign of slowing down.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2008/05/01/spotlight-price-pethel-digital-pioneer-discovers-speedgrade/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Spotlight: Captain Abu Raed &#8211; Speedgrade DI Goes to Sundance with Amin Matalqa`s Debut Feature</title>
		<link>http://www.iridasmagazine.com/2008/01/01/spotlight-captain-abu-raed-speedgrade-di-goes-to-sundance-with-amin-matalqas-debut-feature/</link>
		<comments>http://www.iridasmagazine.com/2008/01/01/spotlight-captain-abu-raed-speedgrade-di-goes-to-sundance-with-amin-matalqas-debut-feature/#comments</comments>
		<pubDate>Tue, 01 Jan 2008 15:24:13 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=185</guid>
		<description><![CDATA[Captain Abu Raed, playing at Sundance next week, is the product both of one man's drive to become a filmmaker, and of the people in a part of the world whose stories ache to be told. Just shy of his 32nd birthday, Amin Matalqa has already left one financially rewarding career and is now on the cusp of a whole new kind of success. ]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2008/01/01/spotlight-captain-abu-raed-speedgrade-di-goes-to-sundance-with-amin-matalqas-debut-feature/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Spotlight: Dancing in Dreamtime</title>
		<link>http://www.iridasmagazine.com/2007/07/27/spotlight-dancing-in-dreamtime/</link>
		<comments>http://www.iridasmagazine.com/2007/07/27/spotlight-dancing-in-dreamtime/#comments</comments>
		<pubDate>Fri, 27 Jul 2007 22:50:29 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=137</guid>
		<description><![CDATA[From July 12, 2007 David Michalek’s Slow Dancing was projected in high definition onto three 50-foot screens on the front of the New York State Theater in New York City. IRIDAS’ FrameCycler VenueSystem provided uncompressed playback and SpeedGrade was used for color correction. Read the spotlight here.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Spotlight: The Rebel &#8211; The Making of a Feature Film</title>
		<link>http://www.iridasmagazine.com/2007/05/01/spotlight-the-rebel-the-making-of-a-feature-film/</link>
		<comments>http://www.iridasmagazine.com/2007/05/01/spotlight-the-rebel-the-making-of-a-feature-film/#comments</comments>
		<pubDate>Tue, 01 May 2007 15:55:58 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=189</guid>
		<description><![CDATA[The Rebel is set in 1920's Vietnam. It tells the story of a Vietnamese agent of the French colonial government who begins to doubt the work he is being asked to do - especially when he falls in love with the beautiful daughter of a resistance leader.
	

The Rebel is as much a drama as it is an action film, and is the first martial arts movie completed entirely in Vietnam marking a new level in filmmaking independence in that country.
]]></description>
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		<title>Spotlight: The New Directors Are Coming &#8211; Martin Weisz Brings Speedgrade into the Desert</title>
		<link>http://www.iridasmagazine.com/2007/02/01/spotlight-the-new-directors-are-coming-martin-weisz-brings-speedgrade-into-the-desert/</link>
		<comments>http://www.iridasmagazine.com/2007/02/01/spotlight-the-new-directors-are-coming-martin-weisz-brings-speedgrade-into-the-desert/#comments</comments>
		<pubDate>Thu, 01 Feb 2007 09:13:36 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=203</guid>
		<description><![CDATA[Shooting on film, director Martin Weisz used SpeedGrade OnSet to establish and develop the looks for his latest feature The Hills Have Eyes II. We spoke with Martin six weeks after wrapping on principle photography in Morocco.]]></description>
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		<title>Spotlight: Onset with Speedgrade OnSet</title>
		<link>http://www.iridasmagazine.com/2006/11/01/spotlight-onset-with-speedgrade-onset/</link>
		<comments>http://www.iridasmagazine.com/2006/11/01/spotlight-onset-with-speedgrade-onset/#comments</comments>
		<pubDate>Wed, 01 Nov 2006 09:36:28 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=211</guid>
		<description><![CDATA[Six filmmakers talk about their experiences with Speedgrade Onset.]]></description>
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		<title>Spotlight: Framecycler VenueSystem Helps Make Cinema History</title>
		<link>http://www.iridasmagazine.com/2006/04/01/spotlight-framecycler-venuesystem-helps-make-cinema-history/</link>
		<comments>http://www.iridasmagazine.com/2006/04/01/spotlight-framecycler-venuesystem-helps-make-cinema-history/#comments</comments>
		<pubDate>Sat, 01 Apr 2006 10:13:37 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=224</guid>
		<description><![CDATA[Threshold Digital Research Labs has long prided themselves on groundbreaking visual effects work (and they have the reel to prove it), but when the team learned that they had a project greater in scope than most feature films - and only one year to complete in - more than a few jaws dropped at the Santa Monica facility.]]></description>
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		<title>Spotlight: SequencePublisher &#8211; Anchors Pipeline at High-End VFX Facilities</title>
		<link>http://www.iridasmagazine.com/2006/01/01/spotlight-anchors-pipeline-at-high-end-vfx-facilities/</link>
		<comments>http://www.iridasmagazine.com/2006/01/01/spotlight-anchors-pipeline-at-high-end-vfx-facilities/#comments</comments>
		<pubDate>Sun, 01 Jan 2006 10:24:02 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=231</guid>
		<description><![CDATA[Established in 1997, Digital Dimension creates high-end visual effects and animation at its LA and Montreal facilities. Digital Dimension currently has a staff of 80 including 70 artists. Recent projects include Zathura, Mr. and Mrs. Smith, and Magnificent Desolation. With a full slate of projects for the coming year, Digital Dimension is well positioned to continue its remarkable growth.


We spoke with Anthony Kramer, VFX Production Coordinator at Digital Dimension in LA.]]></description>
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		<title>Spotlight: The Color Pipeline at In Extenso</title>
		<link>http://www.iridasmagazine.com/2005/07/01/spotlight-the-color-pipeline-at-extenso/</link>
		<comments>http://www.iridasmagazine.com/2005/07/01/spotlight-the-color-pipeline-at-extenso/#comments</comments>
		<pubDate>Fri, 01 Jul 2005 10:30:40 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=240</guid>
		<description><![CDATA[Speedgrade works in Color at cutting-edge Montreal facility]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Spotlight: Framecycler DDS &#8211; Interview with Tom Burns at C.O.R.E Feature Animation</title>
		<link>http://www.iridasmagazine.com/2005/04/01/spotlight-framecycler-dds-interview-with-tom-burns-at-core-future-animation/</link>
		<comments>http://www.iridasmagazine.com/2005/04/01/spotlight-framecycler-dds-interview-with-tom-burns-at-core-future-animation/#comments</comments>
		<pubDate>Fri, 01 Apr 2005 10:46:33 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=246</guid>
		<description><![CDATA[In 2003 C.O.R.E. Digital Pictures introduced a new division. C.O.R.E. Feature Animation is now in full production on an animated feature film for a major Hollywood studio and FrameCycler DDS 3.5 is at the heart of their review infrastructure. We spoke with Tom Burns, Director, Special Projects at C.O.R.E. Feature Animation.]]></description>
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		<title>Spotlight: Pendulum makes a Movie &#8211; Interview with Mike McCormick &amp; Rob Taylor</title>
		<link>http://www.iridasmagazine.com/2005/03/01/spotlight-pendulum-makes-a-movie-interview-with-mike-mccormick-rob-taylor/</link>
		<comments>http://www.iridasmagazine.com/2005/03/01/spotlight-pendulum-makes-a-movie-interview-with-mike-mccormick-rob-taylor/#comments</comments>
		<pubDate>Tue, 01 Mar 2005 14:19:48 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=259</guid>
		<description><![CDATA[IRIDAS customers Rob Taylor and Mike McCormick are driven by the passion to tell stories. San Diego’s Pendulum Studios is about creating the right pipeline to tell each story that comes their way. And to keep their creative chops sharp, the two founders make their own short films, most recently an entertaining animation called Arrest Assured.
This is the story of how Pendulum made that movie.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Spotlight: Kim Libreri &#8211; Raising the Bar in VFX</title>
		<link>http://www.iridasmagazine.com/2004/11/01/spotlight-kim-libreri-raising-the-bar-in-vfx/</link>
		<comments>http://www.iridasmagazine.com/2004/11/01/spotlight-kim-libreri-raising-the-bar-in-vfx/#comments</comments>
		<pubDate>Mon, 01 Nov 2004 14:17:42 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=252</guid>
		<description><![CDATA[Kim Libreri doesn’t come across as the leader in VFX technology that he is. He barely appears in the ‘making of’ featurettes that accompany every Matrix movie DVD. But – as any Matrix fan knows – appearances can be deceiving. Kim spoke with Spotlight recently and shared something of his personal journey in visual effects [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Spotlight: FrameCycler at Work in Montreal’s Meteor Studios</title>
		<link>http://www.iridasmagazine.com/2004/07/01/spotlight-iridas-at-work-in-meteor-studios/</link>
		<comments>http://www.iridasmagazine.com/2004/07/01/spotlight-iridas-at-work-in-meteor-studios/#comments</comments>
		<pubDate>Thu, 01 Jul 2004 14:46:11 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=265</guid>
		<description><![CDATA[Meteor Studios opened its doors in 2001 and has grown to become one of the largest post houses in Canada. The facility specializes in character animation and visual effects for broadcast and film. IRIDAS interviews Jamie Levesque and Claude Precourt.]]></description>
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		<title>Spotlight: Stereoscopic Projection at the Karolinska Institute</title>
		<link>http://www.iridasmagazine.com/2003/11/01/spotlight-framecycler-in-the-service-of-sience-sterescopic-projection-at-the-karolinska-institute/</link>
		<comments>http://www.iridasmagazine.com/2003/11/01/spotlight-framecycler-in-the-service-of-sience-sterescopic-projection-at-the-karolinska-institute/#comments</comments>
		<pubDate>Sat, 01 Nov 2003 14:55:38 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=275</guid>
		<description><![CDATA[You might be forgiven for thinking that IRIDAS’s industry leading playback applications are only for the entertainment worlds of film, broadcast, games and theme parks, but FrameCycler is also hard at work on the leading edge of research and education in the service of science. Read the Spotlight]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2003/11/01/spotlight-framecycler-in-the-service-of-sience-sterescopic-projection-at-the-karolinska-institute/feed/</wfw:commentRss>
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		<title>Spotlight: From the Imagination to the Big Screen: Interview with Warren Grubb</title>
		<link>http://www.iridasmagazine.com/2003/09/01/spotlight-from-the-imagination-to-the-big-screen-interview-with-warren-grubb/</link>
		<comments>http://www.iridasmagazine.com/2003/09/01/spotlight-from-the-imagination-to-the-big-screen-interview-with-warren-grubb/#comments</comments>
		<pubDate>Mon, 01 Sep 2003 15:42:17 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=285</guid>
		<description><![CDATA[“Working with a team of talented and enthusiastic artists and animators is the most rewarding part of my job,” says Warren Grub, VFX Supervisor at Atlanta’s Fathom Studios where he is part of the ambitious Delgo project, the first independently produced computer animated feature film in the U.S. “I feel I can take a vision from the director, translate that to the team and, almost like magic, watch the rough shots come to life every day."

Delgo is a fantasy adventure set in an imaginary land conceived entirely in the imagination, and realized entirely with CG animation. The star-studded voice cast, includes Jennifer Love Hewitt, Val Kilmer, Anne Bancroft, Chris Kattan, Eric Idle, Malcolm McDowell, Burt Reynolds, Lou Gossett, Jr. and others. Another exciting first in this production is that the public can follow the making of this film as it happens. At www.Delgo.com visitors can view the Digital Dailies from the project as they are completed.

We spoke with Warren about Delgo and how IRIDAS products help him and his team make the magic.
]]></description>
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		<title>Spotlight: Virtual Reality by Starlight. New 3D projection for hit musical Starlight Express</title>
		<link>http://www.iridasmagazine.com/2003/05/01/spotlight-virtual-reality-by-starlight-inition-and-iridas-team-up-to-provide-new-3d-projection-for-hit-musical-starlight-express/</link>
		<comments>http://www.iridasmagazine.com/2003/05/01/spotlight-virtual-reality-by-starlight-inition-and-iridas-team-up-to-provide-new-3d-projection-for-hit-musical-starlight-express/#comments</comments>
		<pubDate>Thu, 01 May 2003 15:15:34 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=281</guid>
		<description><![CDATA[When people talk about media integration these days, they are probably not thinking about bringing large format 3D film into live theatre. But that is exactly what is happening now as Inition and IRIDAS have joined forces to provide the technology for the first use of 3D digital projection in a Broadway musical.]]></description>
		<wfw:commentRss>http://www.iridasmagazine.com/2003/05/01/spotlight-virtual-reality-by-starlight-inition-and-iridas-team-up-to-provide-new-3d-projection-for-hit-musical-starlight-express/feed/</wfw:commentRss>
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		<title>Spotlight: Seeing in Stereo &#8211; IRIDAS Interviews Steve McPherson of Jim Henson&#8217;s Creature Shop</title>
		<link>http://www.iridasmagazine.com/2003/01/01/spotlight-seeing-in-stereo-iridas-interviews-steve-mcpherson-of-hansons-creature-shop/</link>
		<comments>http://www.iridasmagazine.com/2003/01/01/spotlight-seeing-in-stereo-iridas-interviews-steve-mcpherson-of-hansons-creature-shop/#comments</comments>
		<pubDate>Wed, 01 Jan 2003 15:55:53 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=294</guid>
		<description><![CDATA[Steve McPherson began his career in computing in the early 80's doing systems administration on Cray Research supercomputers for such customers as NASA Ames Research Center, Lockheed, and Apple Advanced Development. At that time systems like these cost between $20 and $30 million. When Silicon Graphics came onto the scene in the late 80's, Steve recognized an opportunity to move toward VFX work. By then the cost of a single seat (hardware and one Alias license) had dropped to around $100,000. In 1996 Steve moved his base of operations to England where he helped found the first Silicon Studio training center in the Europe.

Today, Steve is working with Jim Henson's Creature Shop™ as Systems Architect on major large-format 3D projects.

Jim Henson's Creature Shop™ first became aware of FrameCycler playback solutions early in the fall of 2002. Steve approached IRIDAS to see if they would consider building a direct-from-disk high resolution stereoscopic player for the Sesame Street project. IRIDAS said they would and the collaboration began.

Within weeks Steve was performance testing beta versions of the product and was immediately impressed. "Lin was brilliant, supportive, and his team was swift on fixes. At times it felt we were really pushing FrameCycler DDS Bi-Channel into unknown territory"

By November, 2003, the FrameCycler was officially in operation in the Creature Shop™.]]></description>
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		<title>Spotlight: Roger Ebert gives Janimation’s Spy Kids 2 Effects: “thumbs up”</title>
		<link>http://www.iridasmagazine.com/2002/07/01/spotlight-roger-ebert-gives-janimation%e2%80%99s-spy-kids-2-effects-%e2%80%9cthumbs-up%e2%80%9d/</link>
		<comments>http://www.iridasmagazine.com/2002/07/01/spotlight-roger-ebert-gives-janimation%e2%80%99s-spy-kids-2-effects-%e2%80%9cthumbs-up%e2%80%9d/#comments</comments>
		<pubDate>Mon, 01 Jul 2002 16:01:08 +0000</pubDate>
		<dc:creator>IRIDAS Magazine</dc:creator>
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		<guid isPermaLink="false">http://www.iridasmagazine.com/?p=299</guid>
		<description><![CDATA[Janimation recently completed the Sea Creature sequences among others for Robert Rodriguez’s latest film release, Spy Kids 2: The Island of Lost Dreams.]]></description>
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